All posts by Lu Ann McNabb

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About Lu Ann McNabb

Lu Ann Maciulla McNabb is the Policy & Alliances Associate for the National Council of Teachers of English (NCTE). Lu Ann has long been an advocate for teachers, students and education. As Thomas Jefferson so eloquently said, "Education is the anvil upon which democracy is forged."

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A Rock Song

This post is written by member Galen Leonhardy.

Dedicated to my colleague, friend, and mentor …

The Geologist, R. H.

Well, it’s been
a rocky road, my friend.
More than once,
I thought
this semester might never end,
that it was moving glacially—carrying us
along in unstoppable force,
eroding what once we thought
such stable mountains,
and leaving us, like erratics,
cut from places
we once knew and
awkwardly spaced unintendedly.
So here we are now,
me burped from the ground,
a kind of bellowing cow
pie bomb,
and you
an acasta gneiss
grabbed up,
pulled asunder,
and now newly left,
a rock
head adrift,
the till surrounding us,
and nothing looking anything
like what once
we were a part.
But behold,
for the terminal moraine
is not yet reached,
nor is it seen
from where we’ve both been placed,
and you will outlast
those smaller chunks of lesser stuff
and multitudes of similar sands,
though the erosion will test you too.
From now to that point
yet beyond our mere mortal grasp,
though still mundane
and, therefore, undeniably
now a geologic sant,
I tell you this, my friend:
those shaping forces,
the elements
and whatever else
the Green Spark makes magic,
will undo what waste
now surrounds you.
Those lesser chunks,
those stones, will dwindle unto gravels
unto sands
unto sandy-silty loams.
There will be tuffs
of grass at first,
but, in the just flicker
of a cosmic moment,
will there then be naught
but fertility
all about you,
exactly as it is
now,
though you may not
yet quite see it so.
So I bellow for you now
a simple song proclaiming
what you are needing to hear and
so now it is I end
this honorary melody
with all respect
and some humility and
so it is
I sing
so now sow… and
Let it be.

Galen Leonhardy
May 8th, 2017

This semester, administrators (after hiring an East-Coast consulting firm to advise our Midwestern college and then subsequently claiming student success to be elevated when students have fewer choices) terminated Professor H’s position and the geology/earth science program, within which he was the sole faculty member. The program was self-supporting. The question being answered is, what do we say to our colleagues upon the occasions of their unjust terminations?

Galen Leonhardy teaches at a community college in Illinois. His work has appeared in CCC,TETYC, and other publications. He most enjoys spending time with his wife, Lea, and his daughters, Sarah and Hallie.

jeffreywilhelmreading

Promoting the Pleasures of Reading: Why It Matters to Kids and to Country

This post is written by member Jeffrey Wilhelm. 

Reading Unbound: Why Kids Need to Read What They Want and Why We Should Let Them was this past year’s winner of the NCTE David H. Russell Award for Distinguished Research in English Education.

The research findings that we report in Reading Unbound have profound implications for us as teachers, for our students, and for democracy.

 In our book, we argue that pleasure reading is a civil rights issue. Why? Because fine-grained longitudinal studies (e.g., the British Cohort study: Sullivan & Brown, 2013; and John Guthrie’s analysis of PISA data, 2004, among many others) demonstrate that pleasure reading in youth is the most explanatory factor in both cognitive progress and social mobility over time.

Pleasure reading is more powerful than parents’ educational attainment or socioeconomic status. This means that pleasure reading is THE way to address social inequalities in terms of actualizing our students’ full potential and overcoming barriers to satisfying and successful lives.

We think that our data explain why pleasure reading leads to cognitive growth and social mobility.

 The major takeaway for teachers is to focus on pleasure in our teaching. Pleasure has many forms: play pleasure/immersive pleasure, when you get lost in a book—this is a prerequisite pleasure and we can foster it in various ways, such as teaching with an inquiry approach, using drama and visualization strategies, etc.; work pleasure, where you get a functional and immediately applicable tool for doing something in your life; inner work pleasure, where you imaginatively rehearse for your life and consider what kind of person you want to be; intellectual pleasure, where you figure out what things mean and how texts were constructed to convey meanings and effects; and social pleasure, in which you relate to authors, characters, other readers, and yourself by staking your own identity. Kids (like all other human beings!) do what they find pleasurable. You get good at what you do and then outgrow yourself by developing new related interests and capacities.

wilhelmgraphicchart

Play pleasure develops the capacity to engage and immerse oneself, to visualize meanings and relate to characters. It is the desire to love and be loved. Work pleasure is the love of getting something functional done. Work pleasure is about the love of application and visible signs of accomplishment. Readers engaging in this pleasure cultivate transfer of strategies and insights to life. Inner work pleasure involves imaginatively rehearsing what kind of person one wants to be. As our informant Helen asserted: “It’s not really learning about yourself, it’s learning about what you could be . . . .” and “Characters are ways of thinking really . . . They are ways of being you can try on.”

Inner work is the love of transformation—of connecting to something greater, of striving to become something more. When our informants engaged in this pleasure, they expressed and developed a growth mindset and a sense of personal and social possibility.

Intellectual pleasure is pursued for the joy of figuring things out; it develops the capacity to see connections and solve problems. Our informants developed resilience, grit, and proactivity through the exercise of this pleasure. Erik Erikson argued that staking one’s identity is the primary task of early to late adolescence and that this is achieved through evolving interests and competence.

Social pleasure involves this human developmental project because it involves relating to authors, characters, other readers, and the self in ways that stake identity. Social pleasure is the love of connection—to the self, others, community, and to doing significant work together. This pleasure develops social imagination: the capacity to experience the world from other perspectives; to learn from and appreciate others distant from us in time, space, and experience; and the willingness to relate, reciprocate, attend to, and help others different from ourselves. In other words, it promotes cognitive progress, wisdom, wholeness, and the democratic project. In fact, all of the pleasures were found to do this.

Our data clearly establish that students gravitate to the kinds of books they need to navigate their current life challenges, and that many ancillary benefits accrue in the realms of cognition, psychology, emotional development, and socialness. So much so that we developed the mantra: Kids read what they need!

This finding led us to be more trusting of kids’ choices and to ask them about why they chose to read what they did, and eventually to championing these choices. We likewise found that each of the marginalized genres we studied (romance, horror, vampire, fantasy, and dystopia) provided specific benefits and helped students navigate different individual developmental challenges.

Our data also establish that young people are doing sophisticated intellectual work in their pleasure reading, much of it just the kind of work that the Common Core and other next generation standards call for. So making pleasure more central to our practice is not in conflict with working to achieve standards. Standards and all the other significant goals described here can be achieved if teachers value interpretive complexity as much as they do textual complexity, if they create inquiry contexts that reward entering a story world and doing psychological and social work in addition to more traditional academic goals, and if they provide opportunities for choice and meaningful conversation.

Given the benefits of each pleasure, we are convinced that pleasure reading is not only a civil right, it is a social necessity of democracy.

That is why we urge you to promote pleasure reading in your classroom and school, and it is why our book is filled with practical ideas for how to do so while promoting each of the five pleasures. It is monumental work—and it is work we must undertake with the greatest urgency—particularly at this moment in history.

Works Cited

Erikson, E. H. (1968). Identity: Youth and crisis. New York: Norton.

Guthrie, J. T., Schafer, W. D., & Huang, C. W. (2001). Benefits of opportunity to read and balanced instruction on the NAEP. Journal of Educational Research, 94, 145-162.

Kirsch, I., de Jong, J., LaFontaine, D., McQueen, J., Mendelovits, J., & Monseur, C. (2002). Reading for change: Performance and engagement across countries: Results from PISA 2000. Paris, France: Organisation for Economic Co-operation and Development. Retrieved May 29, 2015 from http://www.oecd.org/edu/school/programmeforinternationalstudentassessmentpisa/33690904.pdf

Sullivan, A. & Brown, M. (2013). Social inequalities in cognitive scores at age 16: The role of reading. London: Centre for Longitudinal Studies.

Wilhelm, J. and Smith, M.W. (2014). Reading Unbound: Why kids need to read what they want and why we should let them. New York: Scholastic.

Jeffrey D. Wilhelm is Distinguished Professor of English Education at Boise State University who teaches and co-teaches middle and high school classes each year.  He is the author or co-author of 37 books about literacy teaching, the winner of the NCTE Promising Research Award, and two-time recipient of the David H. Russell Award for Distinguished Research in English Education

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Why Address Climate Change in the English Language Arts Classroom? Part II

This post is written by members Richard Beach and Allen Webb. This is the second of two parts. You can read the first part here.

Studying Language Use

The study of climate change is also an ideal topic for understanding the use of language, argumentation, and creative and persuasive writing. Though some politicians have succeeded in making climate change a partisan issue, climate change will impact people regardless of their politics.

English students can examine the use of language in public discussions, news reports, and the mass media. For example, in a CNBC interview, Scott Pruitt, head of the Environmental Protection Agency, stated, “I think that measuring with precision human activity on the climate is something very challenging to do, and there’s tremendous disagreement about the degree of impact. So no, I would not agree that it’s a primary contributor to the global warming that we see.”

In critiquing such statements, students could explore the larger social and political agendas behind Pruitt’s rejection of scientific research. Through critical inquiry, students can analyze Pruitt’s use of language, his climate denial, his interpretation of scientific “disagreement,” and investigate his ties to the fossil fuel industry.

Given that our current lexicon for describing the experience of climate change effects may be inadequate, students could also create new concepts for describing climate change by noting examples from The Bureau of Linguistical Reality.

Critiquing and Transforming Systems Impacting Climate Change

Addressing climate change entails not only the transformation of individuals’ beliefs and attitudes regarding the need for change, but it also fosters the transformations of energy, economics, agriculture, and transportation systems dependent on fossil fuels. Making changes in these larger systems requires that students gain an understanding of the forces driving these systems as well as strategies and tools for arguing for changing these systems. For example, students can study the economic benefits of moving toward renewable energy and transportation options in their community to then make the case to their communities regarding increased use of renewables, increased development of bike lanes and mass transits, and subsidies for purchase of electric cars.

Students can also examine issues of climate justice related to the impacts of climate change on people of color and those living in poor countries who have little to no responsibility for causing the problem. Americans, who make up 4% of the world’s population, are responsible for 27% of all greenhouse gasses, and they continue to be the greatest polluters per capita. Students can address how this inequality and racism impacts the causes, impacts, and solutions related to climate change by accessing testimonials of survivors of climate change calamities, from Katrina to Syrian refugees, as well as how people in indigenous cultures engage in sustainable living.

Students can write, develop presentations, and use social media in their schools and communities to address these issues by examining their own, their school’s, and their community’s carbon footprint. As they gather evidence to support their claims for change or development of policies, students might use the Writing 4 Change platform that includes a collaborative whiteboard space and a media asset library for collaborative writing and feedback.

Summary

More than any other discipline, English language arts can help students think critically about climate change stories in personal, social, and moral contexts. The stakes for ourselves, and for our students, are too high to ignore climate change or leave consideration of it to others in less comprehensive disciplines.

We provide examples of English language arts teachers engaging their students in addressing climate change in our book, on our wiki website and in the ongoing blog, English Teachers Concerned about Climate Change. We invite your ideas and input to this wiki and blog. Join in to foster student understanding, engagement, and action on the greatest challenge facing the human race.

richard-beachRichard Beach is Professor Emeritus of English Education, University of Minnesota. He is author/co-author of 25 books on teaching English, including Teaching Climate Change to Adolescents: Reading, Writing, and Making a Difference (Routledge) and co-distributed by NCTE, that includes a resource website. Twitter: #rbeach

 

webb-allen-2Allen Webb is Professor of English Education and Postcolonial Studies at Western Michigan University, USA. He was a former high school teacher in Portland, Oregon. Allen has authored a dozen books, mostly about teaching literature for secondary teachers published by NCTE, Heinemann, and Routledge.  He has also been studying, teaching, and involved in political organizing on climate change for the last five years.  Currently, Allen teaches about climate change in literature, environmental studies, and English teaching methods classes. 

beachallenclimatechangei

Why Address Climate Change in the English Language Arts Classroom? Part I

This post is written by members Richard Beach and Allen Webb. This is the first of two parts.

Even with the publication of our book, Teaching Climate Change to Adolescents: Reading, Writing, and Making a Difference (co-published by NCTE and Routledge), we are still asked: why address climate change in English language arts? Isn’t climate change a subject for Earth Science, not English?

Our response is multifaceted:

  • We know global warming is happening and is caused by humans because of scientific findings.
  • We know that climate change profoundly involves
    • history, culture, society, and the social order;
    • understanding the experience of others;
    • reflecting on crucial moral and ethical questions;
    • addressing inequality, racism, and nationalism;
    • and using the imagination to better understand the past, present, and future.
  • We believe that addressing climate change requires students to
    • draw on the literary imagination,
    • critically understand mass media,
    • write creatively and persuasively, and
    • develop an ability to speak out on perhaps the most profound challenge to face the human race and life on Earth.
    • These areall practices found in the English language arts classroom.

After reading a chapter from Bill McKibben’s book Eaarth: Making Life on a Tough New Planet, one of Allen’s English students remarked this past week, “We are in serious trouble. It appears that global warming is much, much, much worse than I originally thought.” For most Americans, including most English teachers, the impact of climate change has not yet really sunk in. The corporate media is not informing us about the problem. Yet, what we do in the next few years will make the difference between the Earth warming 2ºC–the target set by the Paris Agreement—and 4ºC or more.

One of the world’s leading climate scientists has said that the difference between 2ºC and 4ºC is “human civilization.”  In 2016 alone, the earth warmed 0.12ºC so that at that rate, two full degrees can happen in less than 20 years. Although the earth has only warmed 1ºC so far, climate change is already having profound impacts. Massive droughts around the world including in the US and Europe, heat waves, sea level rise, unprecedented human migration, devastating megastorms, and much more is already underway. 20 million people are currently in famine in Africa because of climate-change-related drought, leading to what the United Nations has described as, “the greatest humanitarian crisis since World War II.” Serious scientific predictions are that beyond 4ºC, dangerous climate feedback loops threaten the extinction of all life on Earth.

Science without the imagination fails to recognize these impacts of climate change on society, and what can be done to address it. In his endorsement of our book, leading climate-change expert, Bill McKibben (2010), notes the relevance of climate change to English language arts:

The scientists and engineers have done their work, providing a timely warning on climate change and producing the technologies like solar panels that would help take it on.  It is the rest of us that have so far failed, and it’s largely a failure of . . . imagination, precisely the reason we have English class. This book will help many teachers understand their craft in light of the planet’s great crisis.

Responding to Literature

Even though the effects of climate change—rising temperatures, warming/acidification of oceans, sea rise/flooding, droughts, and extreme weather events—are increasingly evident, many people still do not understand the profound implications of climate change, nor do they perceive the need for immediate action. In responding to Romantic poetry and contemporary environmental writers as well as literary works often taught in the secondary curriculum—from The Grapes of Wrath to Lord of the Flies and from The Tempest to Frankenstein or Huck Finn—students are experiencing portrayals of the relationships between human beings and nature.

In reading more contemporary “cli-fi” literature, students are transported into the near and more distant future in which characters are coping with even more extreme adverse climate change effects. For example, in responding to Memory of Water (Itäranta, 2014), students enter into a world in which climate change has led to droughts and wars over water. They empathize with Noria Kaitio, the main character who is a seventeen-year-old living in a Scandinavian country. Noria has studied to become a tea master like her father, so she knows the location of hidden water sources. When her father dies, she acquires knowledge of a secret spring, but the army also learns that there is a spring and seeks to imprison her unless she reveals the location. Through the novel, students experience a future world coping with drought, a condition already impacting much of the Mideast, Africa, and India and forcing people to migrate to other parts of the world.

There are also many accessible, impactful works of climate fiction appropriate for secondary students, including three recent short story collections:

– Martin, M. (Ed.) (2011). I’m with the bears: Short stories from a damaged planet. New York: Verso.

– Milkoreit, M. (2016). Everything change:An anthology of climate change fiction. Tempe: Arizona State UP.

– Woodbury, M. (Ed.) (2015). Winds of change: Stories about our climate. Coquitlam, Moon Willow Press.

Many of these stories have teenage protagonists or raise crucial questions that young people can further explore.

References

Itäranta, E. (2014). Memory of water: A novel. New York: Harper Voyager.

McKibben, Bill. (2011). Eaarth: Making life on a tough new planet. New York: St. Martins Press.

richard-beachRichard Beach is Professor Emeritus of English Education, University of Minnesota. He is author/co-author of 25 books on teaching English, including Teaching Climate Change to Adolescents: Reading, Writing, and Making a Difference (Routledge) and co-distributed by NCTE, that includes a resource website. Twitter: #rbeach

webb-allen-2Allen Webb is Professor of English Education and Postcolonial Studies at Western Michigan University, USA. He was a former high school teacher in Portland, Oregon. Allen has authored a dozen books, mostly about teaching literature for secondary teachers published by NCTE, Heinemann, and Routledge.  He has also been studying, teaching, and involved in political organizing on climate change for the last five years.  Currently, Allen teaches about climate change in literature, environmental studies, and English teaching methods classes.